
A Conversation with Sook-Yin Lee, Director of ‘Paying For It’
“It wasn’t until I was reading the book for the umpteenth time that I saw that he had seen a sex worker on my birthday. I had a pang of jealousy.”

“It wasn’t until I was reading the book for the umpteenth time that I saw that he had seen a sex worker on my birthday. I had a pang of jealousy.”

“friends of high femme spent the last couple of weeks brainstorming and sharing their favorite art of the past year.”

“Much like the sex workers who use modern social media for promotion, “A Sexual History of the Internet” adapted by necessity to survive the virtual space it exists in.”

“I think [people in the porn industry] have always been ahead on media shifts, and I think people would do well to pay attention to them”
“Throughout Sunday, I found myself thinking often about the notion of tradition.”

“What I like about If I Had Legs I’d Kick You is its commitment to the truly shitty.”

“The greatest service The Testament of Ann Lee does for its protagonist is to represent her as neither true deity or religious fanatic.”

“Maddie’s Secret, is a John Waters melodrama, if those Waters’ serrated edges were draped in soft gauze.”

“Mile End Kicks is an indie sleaze period piece. Set in 2011, Grace goes to parties in tights, miniskirts, and red wedge Toms.”

“Deen, in this cobbled-together justification, hits many spots on Racist White Lady Bingo.”