
A Conversation with Elliot Tuttle, Director of ‘Blue Film’
“It’s a remarkable chamber piece and a remarkable meditation on sex, taboo, and the possible transcendence (or nothingness) of pursuing sexual desire.”

“It’s a remarkable chamber piece and a remarkable meditation on sex, taboo, and the possible transcendence (or nothingness) of pursuing sexual desire.”

“I think in a sex work context our stories keep us safe.”

“Lee Cronin’s The Mummy is, more than anything, a campfire tale of poorly-reheated nachos.”

“It’s hard to know where they start and where they end; the memory versus having the memory refreshed because you’re seeing a documentation…”

“I’m very interested in impermanence in general and how we live with that and how the outer landscape can reflect something very inner.”

“It wasn’t until I was reading the book for the umpteenth time that I saw that he had seen a sex worker on my birthday. I had a pang of jealousy.”

“friends of high femme spent the last couple of weeks brainstorming and sharing their favorite art of the past year.”

“Strangely, it’s always someone other than Shane that insists upon his Asian identity while he withholds his own feelings about his race.”

“As far as I’m concerned, any adaptation of a romance novel should be softcore porn.”

“But, as Jarman recalls a conversation with his doctor, specifically as he describes the retina, my own personal memory is activated.”