
‘The Odyssey’ Review
“Maybe I’m being a little unfair asserting that the guy effectively just trained a camera over every page of an Odyssey translation before calling it a day.”

“Maybe I’m being a little unfair asserting that the guy effectively just trained a camera over every page of an Odyssey translation before calling it a day.”

“There’s this urgent, “only connect” thread braided through [Disclosure Day] that very much makes it a movie of this particular moment.”

“That voice and that girl is always there as an outlet for my own naivete, my own open-heartedness, my own optimism, my own sense of hope.”

“I’ve had this conviction that the raunchy romantic comedy is a pretty good platform to throw a bunch of trans guys into.”

“It’s a remarkable chamber piece and a remarkable meditation on sex, taboo, and the possible transcendence (or nothingness) of pursuing sexual desire.”

“I think in a sex work context our stories keep us safe.”

“Lee Cronin’s The Mummy is, more than anything, a campfire tale of poorly-reheated nachos.”

“It’s hard to know where they start and where they end; the memory versus having the memory refreshed because you’re seeing a documentation…”

“I’m very interested in impermanence in general and how we live with that and how the outer landscape can reflect something very inner.”

“It wasn’t until I was reading the book for the umpteenth time that I saw that he had seen a sex worker on my birthday. I had a pang of jealousy.”