
TIFF 2025: ‘Maddie’s Secret’ Review
“Maddie’s Secret, is a John Waters melodrama, if those Waters’ serrated edges were draped in soft gauze.”

“Maddie’s Secret, is a John Waters melodrama, if those Waters’ serrated edges were draped in soft gauze.”

“Mile End Kicks is an indie sleaze period piece. Set in 2011, Grace goes to parties in tights, miniskirts, and red wedge Toms.”

“Deen, in this cobbled-together justification, hits many spots on Racist White Lady Bingo.”

“An image meant to imbue a sense of comfort and security — a nice house in the quiet suburbs — feels like it could instead host something foul.”

“Together skirts close to a one-to-one allegory regarding the fear of being swallowed up into a village-less nuclear family.”

“With their return, Boyle and Garland make the most out of the larger canvas the years away gave them to work with.”

“On a premise level, Friendship is functionally a romantic comedy.”

“What’s most interesting and enjoyable to me about The Ugly Stepsister sits beyond the Cinderella-parody and allegorical reflections on Ozempic and rhinoplasties.”

“Betty/Diane arrives in Hollywood from her small town with big dreams and a certain aw-shucks nature that’s almost impossible to separate from Lynch’s own persona.”

“It’s not only their understanding of their desire, but their insistence on unapologetically surrendering to their desires, that allows for the women of Chungking Express to express, seduce, and pine so singularly.”