
A Conversation with Elliot Tuttle, Director of ‘Blue Film’
“It’s a remarkable chamber piece and a remarkable meditation on sex, taboo, and the possible transcendence (or nothingness) of pursuing sexual desire.”

“It’s a remarkable chamber piece and a remarkable meditation on sex, taboo, and the possible transcendence (or nothingness) of pursuing sexual desire.”

“I think in a sex work context our stories keep us safe.”

“Lee Cronin’s The Mummy is, more than anything, a campfire tale of poorly-reheated nachos.”

“It’s hard to know where they start and where they end; the memory versus having the memory refreshed because you’re seeing a documentation…”
“Stand Up For Equality” buys into perhaps one of the more sacred, bittersweet queer historical truths: sometimes if you don’t laugh, you’ll cry.”

“It wasn’t until I was reading the book for the umpteenth time that I saw that he had seen a sex worker on my birthday. I had a pang of jealousy.”

“friends of high femme spent the last couple of weeks brainstorming and sharing their favorite art of the past year.”

“Much like the sex workers who use modern social media for promotion, “A Sexual History of the Internet” adapted by necessity to survive the virtual space it exists in.”

“I think [people in the porn industry] have always been ahead on media shifts, and I think people would do well to pay attention to them”
“Throughout Sunday, I found myself thinking often about the notion of tradition.”